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a Truthtelling Manual and the Art of Worldly Wisdom Filetypepdf

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photograph Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If yous've ever taken an art history class or spent fourth dimension in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. As with other subjects, most of what we learn nigh art history today still centers on white men from Europe and, later, the U.s.. In reality, there are so many more than artists of all genders to learn from and appreciate.

Here, nosotros're specifically taking a expect at simply some of the women who have had lasting impacts on their art forms. From some of the art world'south most iconic pioneers to its most unsung heroes, these women artists all had a mitt — and, in some cases, all the same accept a hand — in changing the earth of fine art and how we ascertain it.

Laura Wheeler Waring

Laura Wheeler Waring'due south portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an creative person and educator who taught at Cheyney University in Pennsylvania for more than 30 years. After studying the piece of work of painters similar Cézanne and Monet while abroad, she returned to the United States, condign best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Ii photographs from Cindy Sherman'southward Untitled Film Stills (1977–fourscore). series. Photos Courtesy: Museum of Modern Art (MoMA)

Lensman Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps most well known for her series of Untitled Picture show Stills (1977–eighty) — self-portraits in which Sherman "posed in the guises of various generic female person film characters, among them, ingénue, working daughter, vamp, and alone housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A still from the performance Cut Piece, 1964, and a moving-picture show of the installation Half-A-Room, 1967, as seen at the Museum of Modernistic Art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You might commencement retrieve of Yoko Ono as a musician and activist, only she'due south likewise an accomplished performance and conceptual creative person. Ono was considered a pioneer in the operation art movement, earning the nickname the "Loftier Priestess of the Happening".

One of her almost revered works, Cut Slice, was a performance she first staged in Japan; Ono sat on stage in a nice conform and placed scissors in front of her, and, in an human activity of daring vulnerability, invited audience members to come on stage and cutting abroad pieces of her clothing. "Art is like breathing for me," Ono has said. "If I don't practise information technology, I showtime to choke."

Betye Saar

Betye Saar'southward Black Daughter's Window, 1969 (total and detail). Photos Courtesy: Museum of Mod Art (MoMA)

Earlier becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective changed her entire career trajectory — and, in turn, part of the trajectory of fine art history.

Saar was function of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the play a trick on is to seduce the viewer," Saar has said. "If you tin get the viewer to look at a work of art, then you might be able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo'southward 1939 painting Las Dos Fridas at the World Forum of Civilisation in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It'southward rare to discover someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like death and identity through her self-portraits. Kahlo ofttimes used assuming, vivid colors to create her symbol-rich works, and was regarded as 1 of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she's also known for her hyper-real sculptures, polka dots, installations, so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms serial, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former Showtime Lady Michelle Obama (Fifty) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photograph by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, oft doing everyday activities — something that became more common in portraiture writ big in the mid-19th century. Odds are that you lot recognize Sherald'due south work — and her signature grayscale skin tones — as she was the showtime Black woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her serial, Pelvis Series Red With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just possibly, the skyscrapers of New York City. In the 1920s, she was the first woman painter to gain the respect of the New York art world, all by painting in her unique fashion.

Adrian Piper

Adrian Piper wins the Gilt Lion for all-time artist in Okwui Enwezor'southward biennial exhibition All the World'south Futures, office of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question lodge, identity, and racial politics past demanding the audience to face truths well-nigh themselves. She frequently challenged people on the streets of New York to guess her race, socio-economical class, and gender — all while dressed every bit a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in forepart of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Iran Islamic Revolution took place. She is all-time known for her photography, flick, and video piece of work, much of which explores the relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act equally meditations on various concepts, such every bit trauma, knowledge, and hope. One of her more notable works, I Odour You On My Skin, makes the viewer question what kind of sentiment the judgement conveys.

Rebecca Belmore

Rebecca Belmore'south Fringe, 2008. Photo Courtesy: Fine art Gallery of Ontario (Ago)

Much of Rebecca Belmore's art addresses identity and history — and, in particular, houselessness and the voicelessness of the Kickoff Nations People in Canada. Equally an Anishinaabekwe creative person, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the first Indigenous woman to stand for Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photograph Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is ameliorate known for her installation art and sculptures — like the spider above — which were inspired past her own experiences and memories. Throughout her career, she created revolutionary works during a time when brainchild and conceptual art were the main styles shaping the fine art world.

Mickalene Thomas

Mickalene Thomas' A Little Taste Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced past pop culture and pop fine art, Mickalene Thomas ofttimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Blackness American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Art move. As exemplified in her iconic work The Dinner Party, her installation pieces often examine the role of women in history and culture — in the 1970s and before. While at California State University in Fresno, Chicago founded the first feminist art program in the U.s.a..

Augusta Savage

Augusta Savage with one of her sculptures in the mid-1930s. Photograph Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Blackness Americans in the arts. In addition to creating breathtaking sculptures, often of Blackness folks, Savage founded the Brutal Studio of Craft in Harlem in 1932, and, a few years afterwards, she became the first Black American elected to the National Clan of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photograph Courtesy: Museum of Mod Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "trunk fine art". (Just await upwardly her most famous piece of work, Interior Scroll, and you'll see what we mean.) She used her body to examine women's sensuality and liberation from the oppressive artful and social conventions established by our patriarchal gild.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's piece of work challenges traditional ability relations. In addition to documenting New York City's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'southward Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look similar an Andy Warhol to you? Well, that'south the idea! Elaine Sturtevant, who went by her terminal proper noun professionally, was a conceptual creative person known for her inexact replicas — that is, not-quite-correct copies of large-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art civilization.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Immature Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Grouping/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based artist, Asawa'due south last public commission was the Garden of Remembrance at San Francisco State Academy, which was created to recognize Japanese Americans who were interned during World War II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on Nov eight, 2007 in New York Urban center. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and mural photography, Catherine Opie has been a photographer since the age of ix. She uses her photography to examine social norms, and, in doing and then, displays various subcultures in formal portraits — merely in a fashion that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an creative person, author, theorist, and assistant professor who won an Touch Award at the Indiecade Festival in 2020 and the Artistic Honour from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and fine art to address global issues such every bit racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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